
18th - 23rd March 2002
Carousel, the great Rodgers and Hammerstein classic,
was staged at the Stockport Plaza in March, 2002. This was Romiley's
second staging of the show, having originally been performed in
1987 at the Davenport. The show was again directed by Rod Goddard,
with Clare Sweeney as Musical Director. The choreography was a team
effort, with the Ballet being set by Shellie-Beth Sinclair, and
ROS members Sue Cox and Sarah Hope responsible for the rest of the
show. Sarah and Sue were later nominated for Best Choreographer
at that year's Manchester Musical Awards.
The following is a copy of Sheryl Haydock-Howorth’s
review of ‘Carousel’ which appeared in the May 2002 edition of NODA
North-West News. As most of you will know Sheryl is our new
NODA Regional Representative.
Director: Rod Goddard Choreographers: Sarah
Hope & Sue Cox Ballet Choreographer: Shellie-Beth Sinclair
The opening of this show got off to a good start
with an effective UV carousel, and the scene gradually built up
into the hustle and bustle of a showground. Characters in colourful
costumes were quickly established as the story began to unfold.
Lucy Roylance was well cast as Julie and sang with warmth and
emotion. Kathryn Penton, playing her first principal role of Carrie,
sang nicely and with Ian Goddard as Enoch Snow both certainly
looked the part. But I felt that some of the humour was sadly
missing. Rob Haslam, as Billy Bigelow, delivered his numbers well
and had a good balance of stubbornness and remorse, but I felt
Jigger, in contrast, played by Shaun Penton, could have been more
sinister and threatening. Jill Ratcliffe, as Mrs Mullin, was good
and showed her experience as a character actress and another credible
performance was given by Katharine Brown as Nettie Fowler. Congratulations
also to Jenny Taylor as Louise whose dancing was strong as was
her understanding of her character. The Snow children came across
confidently and were all well drilled.
Some strong chorus work and dancing throughout, especially Blow
High, Blow Low, and the choreography was good and well performed.
The Dream Ballet was particularly well choreographed with total
understanding by all concerned. There were some very nice touches
to the production of this show but I did feel that some of the
scenes were rather dark at times and characters tended to walk
out of area lighting on occasions.
The final scene and the finale were good and as always brought
a tear to the eye. Overall, this was a very pleasant evening and
I thank you for you kind hospitality.
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